Disney was founded in the 1920s, originally just like the mouse that now rules much of global media. In 1970 they released The Aristocats which the IMDB summarizes as: Say no to plagiarism. Get a tailor-made essay on "Why Violent Video Games Shouldn't Be Banned"? Get an original essay With the help of a smooth-talking cat, a family of Parisian felines destined to inherit a fortune from their owner try to return home after a jealous butler kidnaps them and leaves them in the countryside. This was their twentieth film, eighth film with a female protagonist, fifth if princess films aren't counted, and one of the few Disney films to that point to pass. the Bechdel test in any capacity, much less with flying colors. Beyond any significance in Disney history, it has been my favorite movie since I was a child. Do you know how many kids will watch a VHS until the tape wears out? So. In the film, the anthropomorphic cats are clearly gendered. This is done through both voice acting and design choices. The three male protagonists are shades of brown and dressed in blue, red and green ascots and bow ties. The female protagonists are both white, one with pink bows both around her neck and in her implied hair, and the other wears a jewel-encrusted gold collar (J. Holt 2015). This gives them color combinations commonly associated with their respective genders. The older male protagonist, a cat, is given a not unrealistic snout that is much larger than the small male protagonists, and the delicate noses on the females (Cynthia Ebere-Anaba, 2016). While facial size and shape is truly a secondary sexual characteristic in cats in real life, the eyelashes given to females are not at all. In adult cats, body language also represents a significant choice (Ore, 2000). The mother cat is feminine in movements and posture, they are mostly turned inward, softly animated, with delicate paws and limp wrists. At no point are his teeth shown, nor are they shown on any of the kittens. The adult male protagonist, however, performs characteristically confident movements, is larger with more robust limbs, and in some shots has a lower tooth that is shown. This is notable for the representation of different classes between city and countryside. The film's predominant plot is that of four "city cats", playing the conceptual story of the city mouse and the country mouse, who are taken to the countryside and abandoned to find their way back. For this reason, animators feel the need to distinguish between "city cats" and "country cats". They do this by making city cats look like cats that could be your pet, they have something resembling clothes, but not clothes, and they are well-groomed. You don't see their teeth and they aren't threatening. Country cats are drawn as ungroomed and unkempt, wear human clothing for no clear reason, and many have visible teeth with their mouths closed. This is not unlike Ore's idea of ​​building class through the physical presentation of aspects of an individual such as accent or clothing behavior (Ore, 2000). They're not exactly threatening but they're also not cats that completely resemble cats, especially not like the ones that might be domestic. They are described as wilder and less refined although surprisingly they are not voiced, as far as I know, by people of color and have nothing resembling an overbearing "country" accent. One aspect of Disney films that has long been somewhat inferior is the interaction between the women. For films aimed at girls and young women, there is very little.